In most languages, each object is assigned a gender, typically either masculine or feminine, which determines how sentences are structured. In A Doll’s House, certain objects serve as symbols that develop the theme of the play and portrays hidden aspects open to interpretation by the reader, similar to most works in literary drama. These symbols have been assigned masculine or feminine attributes and the gender determines how Nora feels towards her role as a woman in society.
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In A Doll’s House, the feminine and masculine attributes of the symbols caused Nora, the protagonist, to either conform to her gender standards or sparked the desire to do the opposite and not accept the one she has been given, developing characteristics of her own instead, during her struggle to find herself as an individual.
The most evident object in A Doll’s House is a dollhouse itself and the gender typically attributed to the object is predominantly feminine as dolls are seen as being toys for girls. Dollhouses tend to be seen as fragile and a very isolated setting that is full of loneliness and conducive to internal monologues digesting what the perceived superior authority is promoting. Dollhouses have a closed back panel and an open front which symbolizes an access to escape yet the backbone of society is so beautifying that one feels compelled to be a prisoner. Throughout the play, Nora is treated like a doll as if she be put on a shelf to be controlled by all the men in her life, continuously referencing the control exerted over her by her husband and her father which could be seen as playing with her, as one would with a doll: Nora: It’s true Torvald. When I lived at home with Papa,
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