Neoclassicaism And Romanticism

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During the 18th century, a new movement brushed through Europe and created a primitive change in politics, science, and art. The Age of Enlightenment was partially a reaction to the Industrial Revolution, as the world witnessed the importance of technological innovation for the growth of humankind. Neoclassicism and Romanticism literature and arts affected the present world. Neoclassicism was the foundation of romanticism especially in the influence either in literature, arts and of their genres.

Neoclassical and Romanticism both developed from Greece and Rome in antiquity. This age of reason and enlightened thinking dominated Europe, creating two important eras in philosophy and visual art. Neoclassicism and Romanticism competed side by side, bringing creatives together to express emotion as well as a love for the classics of Greece and Rome.

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While Neoclassical art was directed towards to classical Greco-Roman art, the Romantic era placed the emphasis on capturing emotions like fear and horror in visual form. The 15th-century architect Leon Battista Alberti believed in Classicism defined beauty in architecture as the harmony and concord of all the parts achieved by following well-founded rules and resulting in a unity such that nothing could be added or taken away or altered except for the worse.

In paintings, artists were to choose subjects that glorified man, use characters suited to the actions being represented, and emulate the appearance of actions in the natural world. Often considered the direct opposite of the Romantic era, Neoclassical art had a huge grip on Europe for many years. At the peak of its philosophy, Neoclassicism revived the “true style” of classical art from Ancient Greece and Rome. Another example is painter Jacques-Louis, David made this style famous through the token painting of the Oath of the Horatii. It stressed the importance of love and sacrifice for oner’s country.

The examples of antiquity in the Renaissance in Rome provided the guidelines of Classicism for the next two centuries in Italy. In the 17th-century France mocked those examples, along with Albertir’s theories, guided the principal French artists to a real Classicism.

Nicolas Poussin and Francois Mansart were important were key figures in showing the real Classicism in architecture and paintings. The main characteristics of Neoclassical paintings were organizing the composition around symbolic numbers, and telling heroic stories of moral civics. Romantics rejected the rational ways of Neoclassical artists, and held their love of individual expression over the restraints of traditional customs. Romanticism and Neoclassicism both had their strengths and contributed greatly to the present world.

English painters such as Sir Joshua Reynolds provided lessons in Renaissance Classicism that dominated a similar span of English and American painting. By the middle of the 18th century, Classicism was being attacked from two directions. The authoritative equation of Classicism and beauty was challenged by longings for the sublime,

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