Merchant of Venice

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Introduction

Shakespeare uses many vivid methods to create anxiety of the audience; he also uses staged irony and other skills to engage the audience in the play, Merchant of Venice. The ways that Shakespeare uses would have been suitable for an Elizabeth audience or a modern audience too since the atmosphere and initiatives are passed across. Shakespeare uses two different settings for The Merchant of Venice, Venice and Belmont (Turner, Antonio, et al., p.29).

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This paper will discuss the techniques that Shakespeare uses to communicate his message to the audience and how he makes the play seem real by the use of setting. In Shakespeare’s time, Venice is a capital where wealth streams; it is also a multinational city at the border of Christendom. Belmont, alternatively, is the residence of Portia and her baffling casket. Romance and festivity dwell here, and at the end of the play, the victorious Christians end up here. Belmont is viewed through rose-tinted glasses as a green world that is taken away from the ruthlessness of the actual humanity, unlike Venice, which is controlled by women (Turner, Antonio, et al., p.29). The way in which the audience is introduced to the world of Venice in the first scene is how the people of Venice are concerned with wealth and trade, which reflects the outlook the Shakespearean viewers, would have had at the time. The language used by Solanio, Solarino and Antonio dominates the subject of business. The style of writing used in Venice and Belmont differs as used by Shakespeare. “But what warmth is there in your affection towards any of these princely suitors” with the concern of Venice, the statement stresses more on love than riches. Bassanio describes Portia regarding wealth when he says ‘?a lady richly left’. In Venice, Antonio gives Bassanio a loan as an expression of his deep friendship, but in Belmont, love converses openly. Shakespeare uses Shylock in a character that is very compelling, and this makes Shylock seem to be dominating the play and too broad.

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