Gone With the Wind: Great Timeless Passion Between Scarlett O’Hara and Rhett Butler

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Set in the old south during a trivial time for the states during a time of war. Margaret Mitchell depicts a great everlasting love story of a passionate couple surviving a dreadful time. While unfolding the destruction and burning of the Old South, but also the rebuilding of cities that were affected by the civil war. Gone with the Wind is an exhilarating, hauntingly, intense film that viewers will remember for generations.


During the time of filming, it was a time of great political strife in the world. With the beginning of unrest in Europe and the possible involvement of the United States was worrisome. As Americans watched the Old World of Europe Crumble, they were assured by the film that their American world would live on, no matter what might happen (Levy). In London during the war, Gone with the Wind was well received as well as unshackled Europe after the war. It was not accepted in Germany, where they viewed Scarlett O’Hara as a bad role model resulting in the banning of the film.

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On the home front, the film references the period of The Great Depression. When Scarlett returns to Tara and has the powerful monologue of As God as my witness, as God as my witness, they’re not going to lick me. I’m going to live through this, and when it’s all over, I’ll never be hungry again-no, nor any of my folks! -if I have to lie, steal, cheat or kill! As God is my witness, I’ll never be hungry again (Gone with the Wind). This was a huge boost for the Americans who survived that Great Depression.

One of the most valuable things to come from the film was the renewal of southern pride. The producer’s glorification of the Old South was seen by southerners as a healing of North-South tension still left over from the civil war (Levy). Over a million people assembled to Atlanta for the premier.


With an all-star cast, casting for the film proved to be a trying task and one that was thoroughly followed by the word (Harry Ransom Center p3).

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