In the reading A Rose for Emily, by William Faulkner, expresses a story of a lonely woman who has suffered from being stuck in her older ways of life. Over thirty years before the depiction of Emily’s story, her very strict father passes away, and she was left by herself with no real guidance. In the prime years of her life, the home and street where she lived was very prominent but is now considered an eyesore amongst the community.
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A once luxurious building with a beautiful white coat of paint and plantation styled balconies, now sat covered in dust and corrosion. During the collapse of the once idolized household, the community began to talk amongst themselves about how they sympathized for her. Through time, Miss Emily meets a young man from the North who was overseeing the construction of the sidewalks on her road. His name was Homer Barron. In eyes of the neighborhood he was considered a bachelor. This gave the community more to pity Emily about since the newly found couple began to be seen publicly together on buggy rides. As time passed the two are seen together less and less, and the towns people become concerned when she suddenly purchased deadly arsenic from the local drug store. Not too long after this, no one sees the younger bachelor Homer ever again. Upon Emily’s death, the towns people investigate her home to find the deceased Homer Barron’s body in the bed of the upstairs room with a body imprint next to it. What they discover on the adjacent pillow is unnerving for they find grey strains of hair. The story A Rose for Emily tells a classic derivative of how the southern characteristics of people are obstinate and will eventually die old or lonely from the pressure of not adapting to change.
The author made it clear that Miss Emily was afraid to think for herself and make adaptations with the change of time. The first and most obvious example of this was when Faulkner described the decay of the once beautiful home. Faulkner writes, It was a big, squarish frame house that had once been white, decorated with cupolas and spires. Emily’s house was left, lifting its stubborn and coquettish decay (Faulkner 2). The decay of her home represented the time that has passed through the community,
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